How to Record Vocals Properly in your Digital Home Recording Studio

Problem2: 44.1 KHz Sample rate
Correct2: This should be greater than 44.1 KHz; 48 KHz sample rate is recommended. Although it won’t hurt either to record at 44.1KHz. Bit depth is more critical than sample rate. In this case, you should always be recording at 24-bits.

The Final Steps and Recommendations

You must have learned a lot by just reading the vocal track example above and the issues. To sum up, below are the steps and final recommendations:

Step1.) Always rehearse your singer regarding the piece, do the tracking only when the singer is ready and achieves vocal perfection during the practice. Meanwhile, setup your vocal recording equipments (condenser microphones, vocal booth, headphones etc). If you cannot find a vocal booth in your home studio that completely isolates the vocals from any background noise; find a place where it is reasonably VERY quiet.

Step2.) Set your recording software/audio interface to record at 24-bits/48KHz MONO resolution. If 24-bit is not natively supported by your software, you can use 32-bit float/48KHz resolution. Setting high recording resolution is very important for quality vocals in addition to the artist performance.

It is recommended to use an external/professional recording audio interface and not your computer PCI sound card for recording.If you do not have a standard home recording audio interface, you can read this post on cheapest 24-bit/96KHz USB audio interface.

When recording vocals, use a standard vocal recording microphones such as Rode NT1A for condenser or SM 58 if you are using dynamic microphones.

Step3.) Do not yet hit the record button and do a level test first. This is done by letting the singer perform the vocal tracks naturally (from start to finish where the loudest and softest peaks can be monitored) then watch the level meters in your software to fine tune levels before actual recording. Watch out for:

a.) Constant peaking beyond -6dBFS = you are setting levels too loud, try to lower it a bit.

b.) Clipping for the loudest section (level meters hitting red during the loudest part of the vocals) = you are settings levels too hot, aim for -6dBFS maximum.

c.) Obvious noise – there should be no obvious background noise in the recording.

d.) No peaks above -48dBFS – you are setting levels too low, try increasing it a bit but not hitting the -6dBFS for the loudest part of the vocals.

Setting proper levels are essential for proper gain staging.

e.) Sluggishness in the vocal recording/latency issues – your computer is running slow; make sure your computer is suitable for audio recording. Or you are opening a lot of programs, make sure only the recording software is running in your PC.

f.) Dropouts in vocal recording – associated with slow computers and un-optimized software/hardware configuration. Consult with your manual for best configuration practices of your equipments.

For more details about optimizing your PC for home recording, read the following tutorials:

Windows XP/7 audio recording DAW tweaks and optimization tips
Optimize Windows XP/7 for Firewire and USB audio interface

Step4.) Once you have cleared the potential problem areas in the previous step, you are now ready to hit the record button. Kindly tell the singer to be ready and then hit the recording button to commence the tracking.

Step5.) Watch out for drop outs, obvious noise and latency issues while recording. If any of that happens, stop the recording immediately and fix the issue before proceeding to finalize the tracking. If all is doing well, you should be able to record the vocals as cleanly as possible with all the required elements for mixing. For example the vocal recording below has been correctly done:

Correct vocal recording waveform

Correct vocal recording waveform

As you can see, the peak amplitude is less than -6dBFS (actual: -6.17dBFS) and there are no clipped samples. Also the bit depth, sample rate and type are 32-bit float/96KHz- mono (you can also record at 24-bits/48KHz or 24-bits/44.1KHz). Aim for something like this when recording vocals.

Content last updated on June 14, 2012

  • Hefty Drumz

    I so glad reading this steps taken in having a good vocals for good mix and mastering.I am enlighten more..thanks a lot!

  • Emerson Maningo

    Hi Brian,
    Thanks for the feedback, please refer below for your inquiries:

    1. Is it best to do the mixing in FL or I should do it in AA?

    Answer: Well it depends on your expertise? If you are an expert in FL studio mixing tools and plug-ins, then use it. Or are you more familiar with mixing in Adobe Audition as compared to FL studio, then use AA.

    DAW is not strong factor in the quality of audio mixing results. One big contributing factor is your mixing and listening skills which is independent of the DAW you are using.

    2.) When recording vocals in AA, is it best to leave instrument tracks as multiple or I must render to one wave and re-import it into AA for recording?

    Answer:Minimize the rendering until the last mix down. You would want to preserve the original recording as possible because choices and plan can change throughout the mixing process. If you have not touched the original recordings (e.g. by combining them), you have more flexibility in the mixing process.

    There are times when you really need to combine (such as sending files to a different mixer, it can be very confusing to send fragmented takes in different tracks) but it should be made with caution and you should keep an eye on the original take and make some backup.

  • Brian Konson

    Hello, am a newbie man & inspired to produce deep & tribal house. I intend to use FL Studio with Adobe Audition. Am yet to ask more and refer to your such helpful tutorials. I normally assign each instrument its mixer track slot in FL; for today, my questions are as follows:
    1. Is it best to do the mixing in FL or I should do it in AA?

    2. When recording vocals in AA, is it best to leave instrumement tracks as multiple or I must render to one wave and re-import it into AA for recording? Thanks a lot and in advance Mon.

  • Emerson Maningo

    Some EQ and compression can make the vocals sound great. You can read the details in this mixing vocals tutorial: https://www.audiorecording.me/tips-on-how-to-mix-vocals-and-put-some-effects-like-a-professional.html

    I also recommend not panning them too far left and right. Try around -75/+75 at first. To sound your vocals as professional as possible. You need the right EQ and compression for both lead and backup vocals. You can some tips on how to mix background vocals here: https://www.audiorecording.me/how-to-mix-background-vocalseqcompressionreverb-panning-settings.html

    With respect to the overall mixing process in detail , you can some tips here to improve the clarity of your mix: https://www.audiorecording.me/how-to-mix-audio-for-perfect-clarity-and-space.html

    Good luck.

  • William Papadopoulos

    I have a Boss BR 864 digital recording studio that does a great job of recording, but I was wondering how to get the more professional sound out of it to make it sound like what I hear on the radio. I do all of my own orchestration via a couple of keyboards mixed via a laptop computer and then record it into Track 1 and 2 of the Boss BR864. Do you recommend panning the computerized instruments to the far left and right, and then centering the lead vocals with slight panning of the backup vocals and harmonies? I usually add a little reverb once the vocals are all laid down to near perfection. Any tips you could offer would be greatly appreciated.

  • Emerson Maningo

    Yeah your technique is doable provided you hear the contrast results in them. For example, If I panned them at left, right and one in the center, I should be able to hear the lead vocal at the center then slightly the backup vocals on the left and right. If they all sound the same (no contrasting differences); then your panning settings are not effective. This does not mean that you are panning them wrong. Sometimes you pan the wrong tracks or sometimes all the vocals have the same effects or you are panning the same track which mixed together they would sound unrecognizable.

    Personally I would pan the lead vocals on the center, then one backup vocals which can done by recording the backup vocals or harmony in a separate session. This is different from the lead vocals, although singing in alto probably – lower tone. Then I would pan this either left or right. When mixed together, they sound great, especially if you follow some tips on how to mix background vocals such as this: https://www.audiorecording.me/how-to-mix-background-vocalseqcompressionreverb-panning-settings.html

    I really appreciate your time in visiting my blog and leaving some feedback. Cheers.

  • hype

    Thank you so much for this info and all the time and efforts you put in to help little people like us,but i do have a question,when is it appropriate to pan vocals? i do RnB Rap and POPl.i usually stock the lead vocal three times and then pan one to the left one to the right and leave one in the middle.