How to Improve Home Studio Acoustic Treatment
Update July 29, 2010: If are looking for tips on how to setup your recording studio in terms of acoustic placement. Refer to this tutorial: Home Studio Recording and Mixing Studio Setup Acoustic Design.
For beginners in home recording and mixing, it is of primary importance and priority that you acoustically treat your room for flattest frequency response. Flattest frequency response tells the truth, nothing more nothing less. So it means that what you really hear during mixing can translate “accurately” to a wide variety of audio reproduction systems (like iPod, CD discman, television, radio, or even hi-fidelity systems with subwoofers or not).
If the room is not acoustically treated to handle “frequency” biases, your mix might only sound good in your studio but sounds awful when reproduced in other audio monitoring systems. No matter how expensive your nearfield monitor, you still need to acoustically treat your room.
If you are successful on this, it means that what you really hear can “accurately” translate to other audio systems. So if you mix it great, it will surely sound good in other audio systems. This is how important to have a mixing studio well acoustically treated.
What are the causes of this “frequency” biases problem that makes your mix lie to you (sound good in your studio but sounds bad in other studios or audio monitoring/speaker systems)?
Consider the arrangement below (which is not correct and not optimal placement for mixing records at home):

Problems of this setup:
1.) Standing waves and reflected waves, distort the real level of the frequency being heard by the engineer. Read the rest of this entry »




